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Despite the niche nature of crystal bowl sound healing, one cannot help but become enthralled with the ways the music remains almost completely unadulterated with autotune and synthetic instrumentals. Indeed, she incorporates how each key of music integrates with different chakras in the body to provide a pathway for healing, depending on your focus.įor example, according to the artist, the song “Triggered” incorporates the keys of C and A to heal the Third Eye, which is a gateway to universal knowledge, and the root chakra, which indicates passion, anger and desire. “I have been studying how sound can be a form of healing, and I played my singing bowls throughout the album,” said Jhene Aiko in a “Wake Up with Jhene Aiko” segment. However, the antidote to the triggers does not just stop with compelling words, but frequencies as well. Future and Miguel)”, where the clever acronym “hoe” in the title destigmatizes sex positivity and “Define Me”, which reflects the recurring theme of self-liberation and respecting boundaries. Later in the album, Aiko restores her comfort in her femininity in songs such as “Speak”, where she appeals to her listeners to stand up for their own glow “LOVE”, which resonates with the universal frequency of kinship between oneself to another despite differing backgrounds “Happiness Over Everything (ft. With big-name collaborations such as Future, Miguel, Nas, John Legend and Big Sean, she pays tribute to the multifaceted, commercialized and culturally proud space that converts great artistry into healing not only for herself but for male figures in her life who have been inspired to explore their own emotions as well. Aiko says, “it’s none of your concern anymore” to her male counterpart, who responds sourly in the song with a heartfelt rap. Big Sean)” makes sense of this dialogue about triggers by setting boundaries. Her chorale-like melodies perfectly mirror her intention of providing the rawest form of healing possible with the power of her femininity. Aiko freestyles most of her songs in the Chilombo album in ethereal, vibrato-filled vocal runs that parse through almost every phrase.
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” What’s even more groundbreaking is that, like the majority of this album, this careful and intricate teetering between emotional vulnerability and unapologetic growth is done in freestyle, and not in the typical style of R&B.
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These thoughts call her out by warning her and protecting her, but also betray her by coercing her triggers to “fall back into. Her song “Triggered (Freestyle)” features a protagonist overwhelmed with a nebula of emotions engaging in a pleading dialogue with her unnamed thoughts. It has been a year since we welcomed the release of Jhene Aiko’s new album on March 6, in which the LA-born R&B artist illustrates a journey of finding love, working through triggers, exploring engaging in sex and sexuality and achieving inner-peace and liberation in multi-dimensional ways. “Lightning & Thunder,” her dreamy duet with John Legend, is densely atmospheric and psychedelic, like a love song in a daydream.This week, we celebrate International Women’s Day in a special way because, behind the glory of feminist progress, there is no success without effective healing and vulnerability. Aiko is so deep in her vibe that even her heavyweight guests-which include Nas, Ty Dolla $ign, Miguel, and Future-can’t lure her out of her peaceful, low-key center. Lead singles “Triggered (freestyle)” and “None of Your Concern” (featuring Big Sean) wrap intense, defiant messages in chill lullaby beats, and “Mourning Doves,” an intimate confessional that uses wind instruments to mimic soft bird calls, toes a line between bedroom ballad and New Age hymnal. They seemed to have worked: For a project about heartbreak, these songs are impressively, and infectiously, zen. It was an experiment in self-discovery and the healing powers of sound: Every song on Chilombo, which is also the R&B singer’s last name, features the transcendental tones of the ancient bowls, which are said to balance chakras and soothe anxiety. To record her meditative third album, Jhené Aiko retreated to the lush hills of Hawaii and surrounded herself with crystals, incense, and singing bowls.